Green Fashion Retail

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Label

Green Fashion Retail

Link

http://libproxy.rpi.edu/login?url=https://ebookcentral.proquest.com/lib/rpi/detail.action?docID=4720752

Instantiates

• Green Fashion Retail

Publication

• Singapore, Springer, 2016

Copyright

• ©2017

Carrier category

online resource

Carrier category code

cr

Carrier MARC source

rdacarrier

Color

multicolored

Content category

text

Content type code

txt

Content type MARC source

rdacontent

Contents

• Acknowledgments -- Contents -- List of Figures -- List of Tables -- 1 Green Fashion Retail -- Abstract -- 1.1 The Green Future of Fashion Retail -- 1.2 Leveraging the Opportunities by Going Green -- References -- 2 Key Aspects of Sustainability in Fashion Retail -- Abstract -- 2.1 Introduction -- 2.1.1 Landscape of Textile and Fashion Industry -- 2.1.2 Fashion Retail -- 2.1.3 Sustainability -- 2.2 Literature Review -- 2.2.1 Reasons to "Go Green" -- 2.2.2 Sustainable Supply Chain Management -- 2.2.3 Challenges of Sustainable Fashion Value Chains -- 2.2.3.1 Fashion Logistics -- 2.2.3.2 Overproduction Caused by Forecasting Error -- 2.2.3.3 Irresponsible Consumption and Uninformed Consumer -- 2.2.3.4 Fulfilling Social Responsibility -- 2.3 Green Washing -- 2.4 Sustainability in Fashion Retail Store -- 2.5 Conclusion -- 2.6 Research Limitations and Future Research -- References -- 3 Closed-Loop Production: A Literature Review -- Abstract -- 3.1 Introduction -- 3.2 Closed-Loop Production Systems -- 3.2.1 Definition of Closed-Loop Production Systems -- 3.2.2 Benefits of Closed-Loop Production Systems -- 3.3 Important Processes in Closed-Loop Production Systems in Fashion Industry -- 3.3.1 Product Acquisition -- 3.3.2 Reverse Logistics -- 3.3.3 Evaluating and Identifying Recovery Options -- 3.3.3.1 Repair/Reuse -- 3.3.3.2 Remanufacturing -- 3.3.3.3 Recycling -- 3.3.4 Remarketing -- 3.4 Challenges of Closed-Loop Production Systems -- 3.5 Conclusion -- 3.6 Research Limitations and Future Research -- References -- 4 Impact on Sustainability: Production Versus Consumption -- Abstract -- 4.1 Introduction -- 4.2 Literature Review -- 4.2.1 The Concept of Sustainability -- 4.2.2 Impact of Fashion Production on Sustainability -- 4.2.2.1 Fashion Production Structure -- 4.2.2.2 Fashion Materials and Processing -- Fashion Materials -- Fashion Processing
• 4.2.2.3 Fashion Social Workforce -- 4.2.3 Impact of Fashion Consumption on Sustainability -- 4.2.3.1 Fashion Purchasing Behaviour -- Fashion Consumption Level -- Fashion Buying Criteria -- 4.2.3.2 Fashion Usage and Disposal -- Fashion Usage -- Fashion Disposal -- 4.2.3.3 Fashion Sustainability Knowledge -- 4.2.3.4 Fashion Attitude-Behaviour Gap -- 4.3 Discussion -- 4.3.1 Impact of Fashion Production and Consumption in Comparison -- 4.3.2 Coherence of Fashion Production and Consumption -- 4.3.3 Responsibility Among Fashion Production and Consumption -- 4.3.4 Leverage Points Regarding the Sustainability Impact in the Fashion Industry -- 4.4 Conclusion -- 4.5 Research Limitations and Future Research -- References -- 5 Impact of Sustainable Manufacturing Standards for Retail Brands -- Abstract -- 5.1 Introduction -- 5.2 Definition of Sustainable Manufacturing Standards -- 5.3 Impact of Sustainable Manufacturing Standards on the Communication Policy -- 5.3.1 Definition of Communication Policy -- 5.3.2 Internal Communication -- 5.3.3 External Communication -- 5.4 Discussion -- 5.4.1 Internal Communication -- 5.4.2 External Communication -- 5.5 Conclusion -- 5.6 Research Limitations and Future Research -- References -- 6 The Prosumer Concept in Fashion Retail: Potentials and Limitations -- Abstract -- 6.1 Introduction -- 6.2 Theoretical Background -- 6.2.1 The Anatomy of Fashion Retail -- 6.2.1.1 Dynamics of Fashion Retailing -- 6.2.1.2 The Fashion Consumer -- 6.2.2 The Prosumer Concept -- 6.2.2.1 The Rise of the Prosumer -- The Prosumer Concept According to Toffler (1980) -- Further Development of the Prosumer Concept -- Fashion Blogger as Prosumer -- 6.2.2.2 A New Do-It-Yourself (DIY) Paradigm -- Web-Based Third Wave DIY -- Workshop-Based Third Wave DIY -- Third Wave DIY Goods -- Third Wave DIY Prosumption -- 6.2.2.3 Co-creation in Fashion Retailing
• 6.2.3 The Decline of the Prosumer and Rise of Smart Prosuming Machines -- 6.3 Conclusion -- References -- 7 The Second Hand Market for Fashion Products -- Abstract -- 7.1 Introduction -- 7.1.1 Background -- 7.1.2 The Current Situation on the Second Hand Market -- 7.1.3 Definition of Second Hand Products -- 7.2 Consumer of Second Hand Products -- 7.2.1 Change in Patterns of Consumption -- 7.2.2 Consumer Buying Motivations for Second Hand Consumption -- 7.2.2.1 Economical Motivations -- Fair Price -- Frugality -- 7.2.2.2 Hedonic and Recreational Shopping Motivations -- Nostalgic Pleasure -- Need for Uniqueness -- Treasure Hunting -- Social Interaction -- 7.2.2.3 Critical Motivations -- Distance from the System -- Ethics and Ecology -- 7.2.3 Barriers of Second Hand Consumption -- 7.3 Provider on the Second Hand Market -- 7.3.1 Second Hand Retail Channels -- 7.3.1.1 Vintage Stores -- 7.3.1.2 Consignment Stores -- 7.3.1.3 Thrift Stores -- 7.3.1.4 Online Second Hand Shops -- Swap Meets -- Sale Marts -- 7.3.2 Opportunities of Second Hand Retail Channels -- 7.3.2.1 Filippa K -- 7.3.2.2 Boomerang -- 7.3.2.3 Patagonia -- 7.4 Discussion -- 7.5 Conclusion -- References -- 8 Collaborative Consumption 2.0: An Alternative to Fast Fashion Consumption -- Abstract -- 8.1 Environmental Aim for New Consumption Patterns -- 8.2 Status Quo of Consumer Behaviour -- 8.2.1 Consumer Behaviour: Between Consumption, Consumerism and a Consumer Society -- 8.2.2 Limitations of Consumption: Finiteness of Resources -- 8.2.3 Resource Saving Consumption: Alternative Strategies -- 8.3 Fast Fashion Consumption -- 8.3.1 The Concept of Fast Fashion: Transformation of the Fashion Industry -- 8.3.2 Consumer-Driven Approach: Raising Demand of the Customer -- 8.3.3 Consumption Behaviour: Disposable Clothing and the Throwaway Mentality -- 8.4 Collaborative Consumption
• 8.4.1 Change in Consumption: Driving Forces Towards Non-ownership -- 8.4.2 Classifications and Approaches: Collaboration as Core Idea -- 8.4.3 New Consumption Models: Variety of Supply -- 8.4.4 Potentials for the Fashion Industry: Arising Business Models -- 8.4.5 Limitations in the Fashion Business: Humanity Barrier -- 8.5 Discussion of the Fast Fashion Alternative -- 8.5.1 Why Do We Consume? -- 8.5.2 How We Consume? -- 8.6 Implications for the Fashion Business and Future Research -- References -- 9 Cross-Industry Learnings: What Fashion Retail Can Learn from the Used-Car Industry -- Abstract -- 9.1 Introduction -- 9.2 Background -- 9.2.1 Extended Loop and Reverse Logistics -- 9.2.2 The Second Hand Market and its Consumer -- 9.2.2.1 Buying Motives in the Second Hand Market -- 9.2.2.2 The Challenge of Adverse Selection and Risk -- 9.3 The Actual State: Fashion Industry Extending the Loop -- 9.3.1 Sustainability in the Fashion Industry -- 9.3.2 Fashion Industry's Second Hand Market and its Innovative Business Models -- 9.4 Analytical Framework and Methodology -- 9.5 Findings and Discussion -- 9.5.1 Product -- 9.5.2 Customer Interface -- 9.5.3 Infrastructure Management -- 9.5.4 Financial Aspects -- References -- 10 The Value Chain of a Branded Second Hand Store-Possible Activities to Be Integrated by a Conventional Fashion Brand -- Abstract -- 10.1 Introduction -- 10.2 Literature Review -- 10.2.1 Value Chain Model -- 10.2.2 Definition of the Term Brand -- 10.2.3 Sustainability in the Fashion Industry -- 10.2.4 Circular Economy as an Answer to Textile Waste -- 10.2.5 Second Hand Clothing -- 10.2.5.1 Product Lifecycle Versus Useful Life -- 10.2.5.2 Second Hand Clothing Versus Vintage Clothing -- 10.2.5.3 Consumer Motivations for Buying Second Hand Clothing -- 10.2.5.4 Distribution Formats for Second Hand Clothing
• 10.2.5.5 Innovative Business Models for Second Hand Clothing -- 10.2.5.6 Value Activities in the Second Hand Fashion Industry -- Collect -- Sort -- Refurbish -- Design and Redesign -- 10.3 Discussion -- 10.3.1 Primary Activities -- 10.3.2 Support Activities -- 10.4 Conclusion and Future Research -- References -- 11 Case Study: Loop Extension of Filippa K -- Abstract -- 11.1 Introduction -- 11.2 About Filippa K -- 11.2.1 The Company -- 11.2.1.1 The Vision -- 11.2.1.2 The Nine Planetary Boundaries -- 11.2.1.3 The Fair Wear Foundation -- 11.2.1.4 Initiatives and Organizations -- 11.2.2 The Method: The Four R's -- 11.2.2.1 Reduce -- 11.2.2.2 Repair -- 11.2.2.3 Reuse -- 11.2.2.4 Recycle -- 11.2.3 The Front Runners -- 11.2.3.1 Sustainable Materials -- 11.2.3.2 Recycable -- 11.2.3.3 Transparent Supply Chain -- 11.2.3.4 Minimal Use of Resources -- 11.2.3.5 Minimal Waste -- 11.2.3.6 Less Chemicals -- 11.2.3.7 Minimal Emissions -- 11.2.3.8 Respect for People -- 11.2.3.9 Respect for Animal Welfare -- 11.2.3.10 Long-Lasting in Design and Quality -- 11.2.3.11 Perfect Fit and Comfort -- 11.2.3.12 Financial Sound -- 11.2.4 Overall Achievements in 2014 -- 11.2.4.1 Production -- 11.2.4.2 Profit Level -- 11.2.4.3 Professional Long-Term Partnerships -- 11.2.5 Overall Commitments Until 2030 -- 11.3 Discussion -- 11.4 Conclusion -- References -- 12 The Role of Social Media for a Sustainable Consumption -- Abstract -- 12.1 Introduction -- 12.2 General Information About Social Media -- 12.2.1 Definition -- 12.2.2 Six Types -- 12.2.3 General Role -- 12.3 General Communication of Sustainable Consumption -- 12.4 Social Media Communication of Sustainable Consumption -- 12.4.1 Green Target Group -- 12.4.2 Special Role of E-WOM -- 12.4.3 Challenges -- 12.4.3.1 Fast Changes -- 12.4.3.2 Platform Profiles -- 12.4.3.3 Messages -- 12.4.3.4 Cross-Cultural Differences
• 12.4.3.5 Negative Comments

Dimensions

unknown

Extent

1 online resource (298 pages)

Form of item

online

Isbn

9789811024405

Media category

computer

Media MARC source

rdamedia

Media type code

c

Sound

unknown sound

Specific material designation

remote