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The Resource The politics of irony in American modernism, Matthew Stratton

The politics of irony in American modernism, Matthew Stratton

Label
The politics of irony in American modernism
Title
The politics of irony in American modernism
Statement of responsibility
Matthew Stratton
Creator
Subject
Language
eng
Summary
"This book shows how American literary culture in the first half of the twentieth century saw "irony'" emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing. It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of "irony" inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others"--
Assigning source
Provided by publisher
Cataloging source
E7B
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
The politics of irony in American modernism, Matthew Stratton
Label
The politics of irony in American modernism, Matthew Stratton
Link
http://www.jstor.org/stable/10.2307/j.ctt13x033k
Publication
Related Contributor
Related Location
Related Agents
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Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Machine generated contents note: -- Introduction: Irony and How It Got That Way -- Chapter 1: The Eye in Irony: New York, Nietzsche, and the 1910s -- Chapter 2: Gendering Irony and Its History: Ellen Glasgow and the Lost 1920s -- Chapter 3: The Focus of Satire: Irony and Public Opinions of Propaganda in the U.S.A. of John Dos Passos Page -- Chapter 4: Visible Decisions : Irony, Law, and the Political Constitution of Ralph Ellison -- Beyond Hope and Memory: A Conclusion -- Bibliography
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9780823255481&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4330649'}
Edition
1st ed.
Extent
1 online resource (xi, 273 pages :)
Form of item
online
Isbn
9780823255481
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
Specific material designation
remote

Library Locations

    • Folsom LibraryBorrow it
      110 8th St, Troy, NY, 12180, US
      42.729766 -73.682577
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