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The Resource Romantics and modernists in British cinema, John Orr

Romantics and modernists in British cinema, John Orr

Label
Romantics and modernists in British cinema
Title
Romantics and modernists in British cinema
Statement of responsibility
John Orr
Creator
Subject
Language
eng
Summary
In a fresh and invigorating look at British cinema John Orr examines the neglected relationship between romanticism and modernism from 1929 to the present-day. Encompassing a broad selection of films, film-makers and debates, this book brings a new perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Orr identifies two prominent genres in the British template that often go unrecognised, the fugitive film and the trauma film, whose narratives have bridged the gap between romantic and modern forms. Here Hitchcock, Lean, Powel
Member of
Cataloging source
N$T
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
Edinburgh studies in film
Romantics and modernists in British cinema, John Orr
Label
Romantics and modernists in British cinema, John Orr
Link
http://www.jstor.org/stable/10.3366/j.ctt1r234q
Publication
Related Contributor
Related Location
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Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 185-188) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Cover; Copyright; Contents; Acknowledgements; List of fi gures; Introduction: romantics versus modernists?; CHAPTER 1 1929: romantics and modernists on the cusp of sound; CHAPTER 2 The running man: Hitchcock's fugitives and The Bourne Ultimatum; CHAPTER 3 Running man 2: Carol Reed and his contemporaries; CHAPTER 4 David Lean: the troubled romantic and the end of empire; CHAPTER 5 The trauma film from romantic to modern: A Matter of Life and Death to Don't Look Now; CHAPTER 6 Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9780748642304&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4325240'}
Extent
1 online resource (vi, 195 pages)
File format
unknown
Form of item
online
Isbn
9780748642304
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations.
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote

Library Locations

    • Folsom LibraryBorrow it
      110 8th St, Troy, NY, 12180, US
      42.729766 -73.682577
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