Coverart for item
The Resource Romanticism and women poets : opening the doors of reception, Harriet Kramer Linkin and Stephen C. Behrendt, editors

Romanticism and women poets : opening the doors of reception, Harriet Kramer Linkin and Stephen C. Behrendt, editors

Label
Romanticism and women poets : opening the doors of reception
Title
Romanticism and women poets
Title remainder
opening the doors of reception
Statement of responsibility
Harriet Kramer Linkin and Stephen C. Behrendt, editors
Contributor
Subject
Language
eng
Summary
One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past
Cataloging source
EBLCP
Index
no index present
Literary form
non fiction
Nature of contents
dictionaries
Romanticism and women poets : opening the doors of reception, Harriet Kramer Linkin and Stephen C. Behrendt, editors
Label
Romanticism and women poets : opening the doors of reception, Harriet Kramer Linkin and Stephen C. Behrendt, editors
Link
http://www.jstor.org/stable/10.2307/j.ctt130jk19
Publication
Related Contributor
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Related Agents
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Antecedent source
unknown
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction: Recovering Romanticism and Women Poets; Prologue ; Endurance and Forgetting: What the Evidence Suggests; Part One: Questioning Reception; The Gap That Is Not a Gap: British Poetry by Women, 1802-1812; The Subject of Violence: Mary Lamb, Femme Fatale; ""Tales of Truth?"": Amelia Opie's Antislavery Poetics; Part Two: Anticipating Reception; ""Dost thou not know my voice?"": Charlotte Smith and the Lyric's Audience
  • ""Be Good!"": Acting, Reader's Theater, and Oratory in Frances Anne Kemble's WritingRecuperating Romanticism in Mary Tighe's Psyche; Part Three: Reconstructing Reception; A ""High-Minded Christian Lady"": The Posthumous Reception of Anna Letitia Barbauld; ""Burst Are the Prison Bars"": Caroline Bowles Southey and the Vicissitudes of Poetic Reputation; Felicia Hemans and the Revolving Doors of Reception; Receiving the Legend, Rethinking the Writer: Letitia Landon and the Poetess Tradition; Works Cited; Contributors; Index
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9780813157030&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4342708'}
Extent
1 online resource (306 pages)
File format
unknown
Form of item
online
Isbn
9780813157030
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote

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