Coverart for item
The Resource Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja, (electronic resource)

Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja, (electronic resource)

Label
Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film
Title
Reservation reelism
Title remainder
redfacing, visual sovereignty, and representations of Native Americans in film
Statement of responsibility
Michelle H. Raheja
Creator
Subject
Language
eng
Summary
"In this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate"--Provided by publisher
Cataloging source
E7B
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja, (electronic resource)
Label
Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja, (electronic resource)
Link
http://www.jstor.org/stable/10.2307/j.ctt1dfnrq6
Publication
Related Contributor
Related Location
Related Agents
Related Authorities
Related Subjects
Bibliography note
Includes bibliographical references (pages 291-317) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Toward a genealogy of indigenous film theory: reading Hollywood Indians -- Ideologies of (in)visibility: redfacing, gender, and moving images -- Tears and trash: economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation: Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner)
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9780803234451&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4337029'}
Extent
1 online resource (xviii, 338 pages)
Form of item
online
Isbn
9780803234451
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
Specific material designation
remote

Library Locations

    • Folsom LibraryBorrow it
      110 8th St, Troy, NY, 12180, US
      42.729766 -73.682577
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