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The Resource Rancière and film, edited by Paul Bowman, (electronic resource)

Rancière and film, edited by Paul Bowman, (electronic resource)

Label
Rancière and film
Title
Rancière and film
Statement of responsibility
edited by Paul Bowman
Contributor
Subject
Language
eng
Summary
This is the first collection of critical essays on the film work of the philosopher Jacques Rancière. Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself
Member of
Biography type
contains biographical information
Cataloging source
E7B
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
Critical connections
Rancière and film, edited by Paul Bowman, (electronic resource)
Label
Rancière and film, edited by Paul Bowman, (electronic resource)
Link
http://www.jstor.org/stable/10.3366/j.ctt1g0b27n
Publication
Related Contributor
Related Location
Related Agents
Related Authorities
Related Subjects
Related Items
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Title Page; Imprint; Contents; Acknowledgements; 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies; 2 What Does It Mean to Call Film an Art?; 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications; 4 The Spectator without Qualities; 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism; 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad; 7 Inhuman Spectatorship; 8 Cinemarxis: Rancière and Godard; 9 Jacques Rancière's Animated Vertigo
  • Or, How to be Specific about Medium10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema; 11 Remarks by Way of a Postface; Contributors; Bibliography; Index
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9780748647378&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4339664'}
Extent
1 online resource (vii, 214 pages).
Form of item
online
Isbn
9780748647378
Media category
computer
Media MARC source
rdamedia
Media type code
c
Specific material designation
remote

Library Locations

    • Folsom LibraryBorrow it
      110 8th St, Troy, NY, 12180, US
      42.729766 -73.682577
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