Coverart for item
The Resource Poetry of the revolution : Marx, manifestos, and the avant-gardes, Martin Puchner

Poetry of the revolution : Marx, manifestos, and the avant-gardes, Martin Puchner

Label
Poetry of the revolution : Marx, manifestos, and the avant-gardes
Title
Poetry of the revolution
Title remainder
Marx, manifestos, and the avant-gardes
Statement of responsibility
Martin Puchner
Creator
Author
Subject
Language
eng
Summary
Martin Puchner tells the story of political and artistic upheavals through the political manifestos of the 19th and 20th centuries. He argues that the manifesto was the genre through which modern culture articulated its revolutionary ambitions and desires
Member of
Cataloging source
NyNyACL
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
Translation/transnation
Poetry of the revolution : Marx, manifestos, and the avant-gardes, Martin Puchner
Label
Poetry of the revolution : Marx, manifestos, and the avant-gardes, Martin Puchner
Link
http://www.jstor.org/stable/10.2307/j.ctt5hhpz1
Publication
Related Contributor
Related Location
Related Agents
Related Authorities
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Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 295-307) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction: Manifestos-Poetry of the revolution -- Part one: Marx and the Manifesto -- 1. The Formation of a genre -- 2. Marxian speech acts -- 3. The History of the Communist Manifesto -- 4. The Geography of the Communist Manifesto -- Part two: The Futurism effect -- 5. Marinetti and the avant-garde manifesto -- 6. Russian futurism and the Soviet state -- 7. The Rear guard of British modernism -- Part three: The avant-garde at large -- 8. Dada and the internationalism of the avant-garde -- 9. Huidobro's creation of a Latin American vanguard -- Part four: Manifestos as means and end -- 10. Surrealism, latent and manifest -- 11. Artaud's manifesto theater -- Part five: A New poetry for a new revolution -- 12. The Manifesto in the sixties -- 13. Debord's society of the counterspectacle -- 14. The Avant-garde is dead: Long live the avant-garde -- Epilogue: Poetry for the future
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9781400844128&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4338339'}
Extent
1 online resource (xiv, 315 pages)
File format
multiple file formats
Form of item
online
Isbn
9781400844128
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations.
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote

Library Locations

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      42.729766 -73.682577
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