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The Resource Original Copies in Georges Perec and Andy Warhol

Original Copies in Georges Perec and Andy Warhol

Label
Original Copies in Georges Perec and Andy Warhol
Title
Original Copies in Georges Perec and Andy Warhol
Creator
Subject
Language
eng
Member of
Cataloging source
MiAaPQ
Literary form
non fiction
Nature of contents
dictionaries
Series statement
Faux Titre Ser.
Series volume
v.413
Original Copies in Georges Perec and Andy Warhol
Label
Original Copies in Georges Perec and Andy Warhol
Link
http://libproxy.rpi.edu/login?url=https://ebookcentral.proquest.com/lib/rpi/detail.action?docID=4756311
Publication
Copyright
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Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche -- Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) -- Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9789004330207&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4386870'}
Extent
1 online resource (216 pages)
Form of item
online
Isbn
9789004330207
Media category
computer
Media MARC source
rdamedia
Media type code
c
Sound
unknown sound
Specific material designation
remote

Library Locations

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