Coverart for item
The Resource Killer tapes and shattered screens : video spectatorship from VHS to file sharing, Caetlin Benson-Allott

Killer tapes and shattered screens : video spectatorship from VHS to file sharing, Caetlin Benson-Allott

Label
Killer tapes and shattered screens : video spectatorship from VHS to file sharing
Title
Killer tapes and shattered screens
Title remainder
video spectatorship from VHS to file sharing
Statement of responsibility
Caetlin Benson-Allott
Creator
Author
Subject
Language
eng
Summary
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and
Cataloging source
YDXCP
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
  • filmographies
Killer tapes and shattered screens : video spectatorship from VHS to file sharing, Caetlin Benson-Allott
Label
Killer tapes and shattered screens : video spectatorship from VHS to file sharing, Caetlin Benson-Allott
Link
http://www.jstor.org/stable/10.1525/j.ctt2jcbt9
Publication
Related Contributor
Related Location
Related Agents
Related Authorities
Related Subjects
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction: opening up to home video -- Distributing The dead: George A. Romero and the evolution of the video spectator -- Addressing the "new flesh": videodrome's format war -- Reprotechnophobia: putting an end to analog abjection with the ring -- Going, going, grindhouse: simulacral cinematicity and post-cinematic spectatorship -- Paranormal spectatorship: faux footage horror and the P2P spectator -- Conclusion: power play
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9780520954496&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4329940'}
Extent
1 online resource (xiii, 297 pages)
Form of item
online
Isbn
9780520954496
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
Specific material designation
remote

Library Locations

    • Folsom LibraryBorrow it
      110 8th St, Troy, NY, 12180, US
      42.729766 -73.682577
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