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The Resource Green Fashion Retail

Green Fashion Retail

Creator
Language
eng
Work
Publication
Extent
1 online resource (298 pages)
Contents
  • Acknowledgments -- Contents -- List of Figures -- List of Tables -- 1 Green Fashion Retail -- Abstract -- 1.1 The Green Future of Fashion Retail -- 1.2 Leveraging the Opportunities by Going Green -- References -- 2 Key Aspects of Sustainability in Fashion Retail -- Abstract -- 2.1 Introduction -- 2.1.1 Landscape of Textile and Fashion Industry -- 2.1.2 Fashion Retail -- 2.1.3 Sustainability -- 2.2 Literature Review -- 2.2.1 Reasons to "Go Green" -- 2.2.2 Sustainable Supply Chain Management -- 2.2.3 Challenges of Sustainable Fashion Value Chains -- 2.2.3.1 Fashion Logistics -- 2.2.3.2 Overproduction Caused by Forecasting Error -- 2.2.3.3 Irresponsible Consumption and Uninformed Consumer -- 2.2.3.4 Fulfilling Social Responsibility -- 2.3 Green Washing -- 2.4 Sustainability in Fashion Retail Store -- 2.5 Conclusion -- 2.6 Research Limitations and Future Research -- References -- 3 Closed-Loop Production: A Literature Review -- Abstract -- 3.1 Introduction -- 3.2 Closed-Loop Production Systems -- 3.2.1 Definition of Closed-Loop Production Systems -- 3.2.2 Benefits of Closed-Loop Production Systems -- 3.3 Important Processes in Closed-Loop Production Systems in Fashion Industry -- 3.3.1 Product Acquisition -- 3.3.2 Reverse Logistics -- 3.3.3 Evaluating and Identifying Recovery Options -- 3.3.3.1 Repair/Reuse -- 3.3.3.2 Remanufacturing -- 3.3.3.3 Recycling -- 3.3.4 Remarketing -- 3.4 Challenges of Closed-Loop Production Systems -- 3.5 Conclusion -- 3.6 Research Limitations and Future Research -- References -- 4 Impact on Sustainability: Production Versus Consumption -- Abstract -- 4.1 Introduction -- 4.2 Literature Review -- 4.2.1 The Concept of Sustainability -- 4.2.2 Impact of Fashion Production on Sustainability -- 4.2.2.1 Fashion Production Structure -- 4.2.2.2 Fashion Materials and Processing -- Fashion Materials -- Fashion Processing
  • 4.2.2.3 Fashion Social Workforce -- 4.2.3 Impact of Fashion Consumption on Sustainability -- 4.2.3.1 Fashion Purchasing Behaviour -- Fashion Consumption Level -- Fashion Buying Criteria -- 4.2.3.2 Fashion Usage and Disposal -- Fashion Usage -- Fashion Disposal -- 4.2.3.3 Fashion Sustainability Knowledge -- 4.2.3.4 Fashion Attitude-Behaviour Gap -- 4.3 Discussion -- 4.3.1 Impact of Fashion Production and Consumption in Comparison -- 4.3.2 Coherence of Fashion Production and Consumption -- 4.3.3 Responsibility Among Fashion Production and Consumption -- 4.3.4 Leverage Points Regarding the Sustainability Impact in the Fashion Industry -- 4.4 Conclusion -- 4.5 Research Limitations and Future Research -- References -- 5 Impact of Sustainable Manufacturing Standards for Retail Brands -- Abstract -- 5.1 Introduction -- 5.2 Definition of Sustainable Manufacturing Standards -- 5.3 Impact of Sustainable Manufacturing Standards on the Communication Policy -- 5.3.1 Definition of Communication Policy -- 5.3.2 Internal Communication -- 5.3.3 External Communication -- 5.4 Discussion -- 5.4.1 Internal Communication -- 5.4.2 External Communication -- 5.5 Conclusion -- 5.6 Research Limitations and Future Research -- References -- 6 The Prosumer Concept in Fashion Retail: Potentials and Limitations -- Abstract -- 6.1 Introduction -- 6.2 Theoretical Background -- 6.2.1 The Anatomy of Fashion Retail -- 6.2.1.1 Dynamics of Fashion Retailing -- 6.2.1.2 The Fashion Consumer -- 6.2.2 The Prosumer Concept -- 6.2.2.1 The Rise of the Prosumer -- The Prosumer Concept According to Toffler (1980) -- Further Development of the Prosumer Concept -- Fashion Blogger as Prosumer -- 6.2.2.2 A New Do-It-Yourself (DIY) Paradigm -- Web-Based Third Wave DIY -- Workshop-Based Third Wave DIY -- Third Wave DIY Goods -- Third Wave DIY Prosumption -- 6.2.2.3 Co-creation in Fashion Retailing
  • 6.2.3 The Decline of the Prosumer and Rise of Smart Prosuming Machines -- 6.3 Conclusion -- References -- 7 The Second Hand Market for Fashion Products -- Abstract -- 7.1 Introduction -- 7.1.1 Background -- 7.1.2 The Current Situation on the Second Hand Market -- 7.1.3 Definition of Second Hand Products -- 7.2 Consumer of Second Hand Products -- 7.2.1 Change in Patterns of Consumption -- 7.2.2 Consumer Buying Motivations for Second Hand Consumption -- 7.2.2.1 Economical Motivations -- Fair Price -- Frugality -- 7.2.2.2 Hedonic and Recreational Shopping Motivations -- Nostalgic Pleasure -- Need for Uniqueness -- Treasure Hunting -- Social Interaction -- 7.2.2.3 Critical Motivations -- Distance from the System -- Ethics and Ecology -- 7.2.3 Barriers of Second Hand Consumption -- 7.3 Provider on the Second Hand Market -- 7.3.1 Second Hand Retail Channels -- 7.3.1.1 Vintage Stores -- 7.3.1.2 Consignment Stores -- 7.3.1.3 Thrift Stores -- 7.3.1.4 Online Second Hand Shops -- Swap Meets -- Sale Marts -- 7.3.2 Opportunities of Second Hand Retail Channels -- 7.3.2.1 Filippa K -- 7.3.2.2 Boomerang -- 7.3.2.3 Patagonia -- 7.4 Discussion -- 7.5 Conclusion -- References -- 8 Collaborative Consumption 2.0: An Alternative to Fast Fashion Consumption -- Abstract -- 8.1 Environmental Aim for New Consumption Patterns -- 8.2 Status Quo of Consumer Behaviour -- 8.2.1 Consumer Behaviour: Between Consumption, Consumerism and a Consumer Society -- 8.2.2 Limitations of Consumption: Finiteness of Resources -- 8.2.3 Resource Saving Consumption: Alternative Strategies -- 8.3 Fast Fashion Consumption -- 8.3.1 The Concept of Fast Fashion: Transformation of the Fashion Industry -- 8.3.2 Consumer-Driven Approach: Raising Demand of the Customer -- 8.3.3 Consumption Behaviour: Disposable Clothing and the Throwaway Mentality -- 8.4 Collaborative Consumption
  • 8.4.1 Change in Consumption: Driving Forces Towards Non-ownership -- 8.4.2 Classifications and Approaches: Collaboration as Core Idea -- 8.4.3 New Consumption Models: Variety of Supply -- 8.4.4 Potentials for the Fashion Industry: Arising Business Models -- 8.4.5 Limitations in the Fashion Business: Humanity Barrier -- 8.5 Discussion of the Fast Fashion Alternative -- 8.5.1 Why Do We Consume? -- 8.5.2 How We Consume? -- 8.6 Implications for the Fashion Business and Future Research -- References -- 9 Cross-Industry Learnings: What Fashion Retail Can Learn from the Used-Car Industry -- Abstract -- 9.1 Introduction -- 9.2 Background -- 9.2.1 Extended Loop and Reverse Logistics -- 9.2.2 The Second Hand Market and its Consumer -- 9.2.2.1 Buying Motives in the Second Hand Market -- 9.2.2.2 The Challenge of Adverse Selection and Risk -- 9.3 The Actual State: Fashion Industry Extending the Loop -- 9.3.1 Sustainability in the Fashion Industry -- 9.3.2 Fashion Industry's Second Hand Market and its Innovative Business Models -- 9.4 Analytical Framework and Methodology -- 9.5 Findings and Discussion -- 9.5.1 Product -- 9.5.2 Customer Interface -- 9.5.3 Infrastructure Management -- 9.5.4 Financial Aspects -- References -- 10 The Value Chain of a Branded Second Hand Store-Possible Activities to Be Integrated by a Conventional Fashion Brand -- Abstract -- 10.1 Introduction -- 10.2 Literature Review -- 10.2.1 Value Chain Model -- 10.2.2 Definition of the Term Brand -- 10.2.3 Sustainability in the Fashion Industry -- 10.2.4 Circular Economy as an Answer to Textile Waste -- 10.2.5 Second Hand Clothing -- 10.2.5.1 Product Lifecycle Versus Useful Life -- 10.2.5.2 Second Hand Clothing Versus Vintage Clothing -- 10.2.5.3 Consumer Motivations for Buying Second Hand Clothing -- 10.2.5.4 Distribution Formats for Second Hand Clothing
  • 10.2.5.5 Innovative Business Models for Second Hand Clothing -- 10.2.5.6 Value Activities in the Second Hand Fashion Industry -- Collect -- Sort -- Refurbish -- Design and Redesign -- 10.3 Discussion -- 10.3.1 Primary Activities -- 10.3.2 Support Activities -- 10.4 Conclusion and Future Research -- References -- 11 Case Study: Loop Extension of Filippa K -- Abstract -- 11.1 Introduction -- 11.2 About Filippa K -- 11.2.1 The Company -- 11.2.1.1 The Vision -- 11.2.1.2 The Nine Planetary Boundaries -- 11.2.1.3 The Fair Wear Foundation -- 11.2.1.4 Initiatives and Organizations -- 11.2.2 The Method: The Four R's -- 11.2.2.1 Reduce -- 11.2.2.2 Repair -- 11.2.2.3 Reuse -- 11.2.2.4 Recycle -- 11.2.3 The Front Runners -- 11.2.3.1 Sustainable Materials -- 11.2.3.2 Recycable -- 11.2.3.3 Transparent Supply Chain -- 11.2.3.4 Minimal Use of Resources -- 11.2.3.5 Minimal Waste -- 11.2.3.6 Less Chemicals -- 11.2.3.7 Minimal Emissions -- 11.2.3.8 Respect for People -- 11.2.3.9 Respect for Animal Welfare -- 11.2.3.10 Long-Lasting in Design and Quality -- 11.2.3.11 Perfect Fit and Comfort -- 11.2.3.12 Financial Sound -- 11.2.4 Overall Achievements in 2014 -- 11.2.4.1 Production -- 11.2.4.2 Profit Level -- 11.2.4.3 Professional Long-Term Partnerships -- 11.2.5 Overall Commitments Until 2030 -- 11.3 Discussion -- 11.4 Conclusion -- References -- 12 The Role of Social Media for a Sustainable Consumption -- Abstract -- 12.1 Introduction -- 12.2 General Information About Social Media -- 12.2.1 Definition -- 12.2.2 Six Types -- 12.2.3 General Role -- 12.3 General Communication of Sustainable Consumption -- 12.4 Social Media Communication of Sustainable Consumption -- 12.4.1 Green Target Group -- 12.4.2 Special Role of E-WOM -- 12.4.3 Challenges -- 12.4.3.1 Fast Changes -- 12.4.3.2 Platform Profiles -- 12.4.3.3 Messages -- 12.4.3.4 Cross-Cultural Differences
  • 12.4.3.5 Negative Comments
Isbn
9789811024405
Link
http://libproxy.rpi.edu/login?url=https://ebookcentral.proquest.com/lib/rpi/detail.action?docID=4720752
Instance
Label
Green Fashion Retail
Title
Green Fashion Retail
Creator
Subject
Language
eng
Member of
Cataloging source
MiAaPQ
Literary form
non fiction
Nature of contents
dictionaries
Series statement
Springer Series in Fashion Business Ser
Green Fashion Retail
Label
Green Fashion Retail
Link
http://libproxy.rpi.edu/login?url=https://ebookcentral.proquest.com/lib/rpi/detail.action?docID=4720752
Publication
Copyright
Related Contributor
Related Location
Related Agents
Related Authorities
Related Subjects
Related Items
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Acknowledgments -- Contents -- List of Figures -- List of Tables -- 1 Green Fashion Retail -- Abstract -- 1.1 The Green Future of Fashion Retail -- 1.2 Leveraging the Opportunities by Going Green -- References -- 2 Key Aspects of Sustainability in Fashion Retail -- Abstract -- 2.1 Introduction -- 2.1.1 Landscape of Textile and Fashion Industry -- 2.1.2 Fashion Retail -- 2.1.3 Sustainability -- 2.2 Literature Review -- 2.2.1 Reasons to "Go Green" -- 2.2.2 Sustainable Supply Chain Management -- 2.2.3 Challenges of Sustainable Fashion Value Chains -- 2.2.3.1 Fashion Logistics -- 2.2.3.2 Overproduction Caused by Forecasting Error -- 2.2.3.3 Irresponsible Consumption and Uninformed Consumer -- 2.2.3.4 Fulfilling Social Responsibility -- 2.3 Green Washing -- 2.4 Sustainability in Fashion Retail Store -- 2.5 Conclusion -- 2.6 Research Limitations and Future Research -- References -- 3 Closed-Loop Production: A Literature Review -- Abstract -- 3.1 Introduction -- 3.2 Closed-Loop Production Systems -- 3.2.1 Definition of Closed-Loop Production Systems -- 3.2.2 Benefits of Closed-Loop Production Systems -- 3.3 Important Processes in Closed-Loop Production Systems in Fashion Industry -- 3.3.1 Product Acquisition -- 3.3.2 Reverse Logistics -- 3.3.3 Evaluating and Identifying Recovery Options -- 3.3.3.1 Repair/Reuse -- 3.3.3.2 Remanufacturing -- 3.3.3.3 Recycling -- 3.3.4 Remarketing -- 3.4 Challenges of Closed-Loop Production Systems -- 3.5 Conclusion -- 3.6 Research Limitations and Future Research -- References -- 4 Impact on Sustainability: Production Versus Consumption -- Abstract -- 4.1 Introduction -- 4.2 Literature Review -- 4.2.1 The Concept of Sustainability -- 4.2.2 Impact of Fashion Production on Sustainability -- 4.2.2.1 Fashion Production Structure -- 4.2.2.2 Fashion Materials and Processing -- Fashion Materials -- Fashion Processing
  • 4.2.2.3 Fashion Social Workforce -- 4.2.3 Impact of Fashion Consumption on Sustainability -- 4.2.3.1 Fashion Purchasing Behaviour -- Fashion Consumption Level -- Fashion Buying Criteria -- 4.2.3.2 Fashion Usage and Disposal -- Fashion Usage -- Fashion Disposal -- 4.2.3.3 Fashion Sustainability Knowledge -- 4.2.3.4 Fashion Attitude-Behaviour Gap -- 4.3 Discussion -- 4.3.1 Impact of Fashion Production and Consumption in Comparison -- 4.3.2 Coherence of Fashion Production and Consumption -- 4.3.3 Responsibility Among Fashion Production and Consumption -- 4.3.4 Leverage Points Regarding the Sustainability Impact in the Fashion Industry -- 4.4 Conclusion -- 4.5 Research Limitations and Future Research -- References -- 5 Impact of Sustainable Manufacturing Standards for Retail Brands -- Abstract -- 5.1 Introduction -- 5.2 Definition of Sustainable Manufacturing Standards -- 5.3 Impact of Sustainable Manufacturing Standards on the Communication Policy -- 5.3.1 Definition of Communication Policy -- 5.3.2 Internal Communication -- 5.3.3 External Communication -- 5.4 Discussion -- 5.4.1 Internal Communication -- 5.4.2 External Communication -- 5.5 Conclusion -- 5.6 Research Limitations and Future Research -- References -- 6 The Prosumer Concept in Fashion Retail: Potentials and Limitations -- Abstract -- 6.1 Introduction -- 6.2 Theoretical Background -- 6.2.1 The Anatomy of Fashion Retail -- 6.2.1.1 Dynamics of Fashion Retailing -- 6.2.1.2 The Fashion Consumer -- 6.2.2 The Prosumer Concept -- 6.2.2.1 The Rise of the Prosumer -- The Prosumer Concept According to Toffler (1980) -- Further Development of the Prosumer Concept -- Fashion Blogger as Prosumer -- 6.2.2.2 A New Do-It-Yourself (DIY) Paradigm -- Web-Based Third Wave DIY -- Workshop-Based Third Wave DIY -- Third Wave DIY Goods -- Third Wave DIY Prosumption -- 6.2.2.3 Co-creation in Fashion Retailing
  • 6.2.3 The Decline of the Prosumer and Rise of Smart Prosuming Machines -- 6.3 Conclusion -- References -- 7 The Second Hand Market for Fashion Products -- Abstract -- 7.1 Introduction -- 7.1.1 Background -- 7.1.2 The Current Situation on the Second Hand Market -- 7.1.3 Definition of Second Hand Products -- 7.2 Consumer of Second Hand Products -- 7.2.1 Change in Patterns of Consumption -- 7.2.2 Consumer Buying Motivations for Second Hand Consumption -- 7.2.2.1 Economical Motivations -- Fair Price -- Frugality -- 7.2.2.2 Hedonic and Recreational Shopping Motivations -- Nostalgic Pleasure -- Need for Uniqueness -- Treasure Hunting -- Social Interaction -- 7.2.2.3 Critical Motivations -- Distance from the System -- Ethics and Ecology -- 7.2.3 Barriers of Second Hand Consumption -- 7.3 Provider on the Second Hand Market -- 7.3.1 Second Hand Retail Channels -- 7.3.1.1 Vintage Stores -- 7.3.1.2 Consignment Stores -- 7.3.1.3 Thrift Stores -- 7.3.1.4 Online Second Hand Shops -- Swap Meets -- Sale Marts -- 7.3.2 Opportunities of Second Hand Retail Channels -- 7.3.2.1 Filippa K -- 7.3.2.2 Boomerang -- 7.3.2.3 Patagonia -- 7.4 Discussion -- 7.5 Conclusion -- References -- 8 Collaborative Consumption 2.0: An Alternative to Fast Fashion Consumption -- Abstract -- 8.1 Environmental Aim for New Consumption Patterns -- 8.2 Status Quo of Consumer Behaviour -- 8.2.1 Consumer Behaviour: Between Consumption, Consumerism and a Consumer Society -- 8.2.2 Limitations of Consumption: Finiteness of Resources -- 8.2.3 Resource Saving Consumption: Alternative Strategies -- 8.3 Fast Fashion Consumption -- 8.3.1 The Concept of Fast Fashion: Transformation of the Fashion Industry -- 8.3.2 Consumer-Driven Approach: Raising Demand of the Customer -- 8.3.3 Consumption Behaviour: Disposable Clothing and the Throwaway Mentality -- 8.4 Collaborative Consumption
  • 8.4.1 Change in Consumption: Driving Forces Towards Non-ownership -- 8.4.2 Classifications and Approaches: Collaboration as Core Idea -- 8.4.3 New Consumption Models: Variety of Supply -- 8.4.4 Potentials for the Fashion Industry: Arising Business Models -- 8.4.5 Limitations in the Fashion Business: Humanity Barrier -- 8.5 Discussion of the Fast Fashion Alternative -- 8.5.1 Why Do We Consume? -- 8.5.2 How We Consume? -- 8.6 Implications for the Fashion Business and Future Research -- References -- 9 Cross-Industry Learnings: What Fashion Retail Can Learn from the Used-Car Industry -- Abstract -- 9.1 Introduction -- 9.2 Background -- 9.2.1 Extended Loop and Reverse Logistics -- 9.2.2 The Second Hand Market and its Consumer -- 9.2.2.1 Buying Motives in the Second Hand Market -- 9.2.2.2 The Challenge of Adverse Selection and Risk -- 9.3 The Actual State: Fashion Industry Extending the Loop -- 9.3.1 Sustainability in the Fashion Industry -- 9.3.2 Fashion Industry's Second Hand Market and its Innovative Business Models -- 9.4 Analytical Framework and Methodology -- 9.5 Findings and Discussion -- 9.5.1 Product -- 9.5.2 Customer Interface -- 9.5.3 Infrastructure Management -- 9.5.4 Financial Aspects -- References -- 10 The Value Chain of a Branded Second Hand Store-Possible Activities to Be Integrated by a Conventional Fashion Brand -- Abstract -- 10.1 Introduction -- 10.2 Literature Review -- 10.2.1 Value Chain Model -- 10.2.2 Definition of the Term Brand -- 10.2.3 Sustainability in the Fashion Industry -- 10.2.4 Circular Economy as an Answer to Textile Waste -- 10.2.5 Second Hand Clothing -- 10.2.5.1 Product Lifecycle Versus Useful Life -- 10.2.5.2 Second Hand Clothing Versus Vintage Clothing -- 10.2.5.3 Consumer Motivations for Buying Second Hand Clothing -- 10.2.5.4 Distribution Formats for Second Hand Clothing
  • 10.2.5.5 Innovative Business Models for Second Hand Clothing -- 10.2.5.6 Value Activities in the Second Hand Fashion Industry -- Collect -- Sort -- Refurbish -- Design and Redesign -- 10.3 Discussion -- 10.3.1 Primary Activities -- 10.3.2 Support Activities -- 10.4 Conclusion and Future Research -- References -- 11 Case Study: Loop Extension of Filippa K -- Abstract -- 11.1 Introduction -- 11.2 About Filippa K -- 11.2.1 The Company -- 11.2.1.1 The Vision -- 11.2.1.2 The Nine Planetary Boundaries -- 11.2.1.3 The Fair Wear Foundation -- 11.2.1.4 Initiatives and Organizations -- 11.2.2 The Method: The Four R's -- 11.2.2.1 Reduce -- 11.2.2.2 Repair -- 11.2.2.3 Reuse -- 11.2.2.4 Recycle -- 11.2.3 The Front Runners -- 11.2.3.1 Sustainable Materials -- 11.2.3.2 Recycable -- 11.2.3.3 Transparent Supply Chain -- 11.2.3.4 Minimal Use of Resources -- 11.2.3.5 Minimal Waste -- 11.2.3.6 Less Chemicals -- 11.2.3.7 Minimal Emissions -- 11.2.3.8 Respect for People -- 11.2.3.9 Respect for Animal Welfare -- 11.2.3.10 Long-Lasting in Design and Quality -- 11.2.3.11 Perfect Fit and Comfort -- 11.2.3.12 Financial Sound -- 11.2.4 Overall Achievements in 2014 -- 11.2.4.1 Production -- 11.2.4.2 Profit Level -- 11.2.4.3 Professional Long-Term Partnerships -- 11.2.5 Overall Commitments Until 2030 -- 11.3 Discussion -- 11.4 Conclusion -- References -- 12 The Role of Social Media for a Sustainable Consumption -- Abstract -- 12.1 Introduction -- 12.2 General Information About Social Media -- 12.2.1 Definition -- 12.2.2 Six Types -- 12.2.3 General Role -- 12.3 General Communication of Sustainable Consumption -- 12.4 Social Media Communication of Sustainable Consumption -- 12.4.1 Green Target Group -- 12.4.2 Special Role of E-WOM -- 12.4.3 Challenges -- 12.4.3.1 Fast Changes -- 12.4.3.2 Platform Profiles -- 12.4.3.3 Messages -- 12.4.3.4 Cross-Cultural Differences
  • 12.4.3.5 Negative Comments
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{'f': 'http://opac.lib.rpi.edu/record=b4386346'}
Extent
1 online resource (298 pages)
Form of item
online
Isbn
9789811024405
Media category
computer
Media MARC source
rdamedia
Media type code
c
Sound
unknown sound
Specific material designation
remote

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