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The Resource Behind the Lens : Dispatches from the Cinematographic Trenches

Behind the Lens : Dispatches from the Cinematographic Trenches

Label
Behind the Lens : Dispatches from the Cinematographic Trenches
Title
Behind the Lens
Title remainder
Dispatches from the Cinematographic Trenches
Creator
Subject
Language
eng
Cataloging source
MiAaPQ
Literary form
non fiction
Nature of contents
dictionaries
Behind the Lens : Dispatches from the Cinematographic Trenches
Label
Behind the Lens : Dispatches from the Cinematographic Trenches
Link
http://libproxy.rpi.edu/login?url=https://ebookcentral.proquest.com/lib/rpi/detail.action?docID=3569849
Publication
Copyright
Related Contributor
Related Location
Related Agents
Related Authorities
Related Subjects
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Sources and Disclaimers -- Author Biography -- Foreword -- Introduction -- 1 TECH -- 1.1 How a Digital Image is Born -- 1.2 Demystifying Digital: How Digital Cameras Capture a Color Image -- 1.3 The Film Look-Aspect Ratio -- 1.4 Death of a Standard . . . Goodbye to 1.85:1? -- 1.5 The Film Look-Frame Rates -- 1.6 The Film Look-Resolution -- 1.7 The Film Look-Sensor Size: Size Matters -- 1.8 Bits and Bytes: The Bottleneck of Data Rates -- 1.9 The "Raw" Deal: What's Involved in Recording Raw Imagery? -- 1.10 Digital Cameras and Color: The 411 on 4:4:4, 4:2:2, and 4:2:0 -- 1.11 Maintaining Your Image Integrity: Masterclass on Monitor Calibration -- 2 OPTICS -- 2.1 Deeper into Depth of Field: Understanding a "Filmic" Depth of Field -- Field Notes: Depth of Field Pull in Miracles -- 2.2 Optical Illusions: Understanding Interchanging Optics -- 2.3 Making the Switch: Lens Mounts and Interchangeability -- 2.4 A Closer Look: Diopters -- Field Notes: Split-Field Diopters Used In Popular Movies -- 2.5 Through the Looking Glass: Lens Adapters -- 2.6 Through Colored Glass: Lens Filtration -- Field Notes: From the Trenches-Free Enterprise -- 2.7 One Plus One Equals Blue: Calculating Camera Filters -- 2.8 Light Reading: Learning to Create and Control Lens Flare -- Field Notes: Paul Cameron on Total Recall -- 2.9 What Makes a Good Lens? Part I: Sizing Up How to Properly Size Up Optics -- 2.10 What Makes a Good Lens? Part II: Considering Lens Style and Focus Style -- 2.11 Modulation Transfer Function: Understanding Lens Resolution -- 2.12 Further into MTF: A Specific Look -- 3 CAMERA -- 3.1 What's the Best Camera? -- 3.2 ISO, EI, ASA, and YOU -- 3.3 How to Determine Your Camera's ISO
  • 3.4 The Tools of Digital Exposure, Part I-The Waveform Monitor -- 3.5 The Tools of Digital Exposure, Part II-The Histogram -- 3.6 When is White Not White? A Look at White Balance -- Field Notes: Different Colors in Time -- 3.7 Seeing the Invisible, Part I: Dealing with Infrared Contamination (Red Epic Test) -- 3.8 Seeing the Invisible, Part II: Dealing with Infrared Contamination (Arri Alexa Test) -- 3.9 A Steady Hand: A Look at Camera Stabilizers -- 4 LIGHTING -- 4.1 Adventures in Lighting: Light Sources 101, Part I-Tungsten -- 4.2 Adventures in Lighting: Light Sources 101, Part II-Fluorescents -- Field Notes: Fluorescents In-Shot -- 4.3 Adventures in Lighting: Light Sources 101, Part III-HMIs -- 4.4 Adventures in Lighting: Light Sources 101, Part IV-LEDs -- 4.5 Adventures in Lighting: Fixture Types 101, Part I-Through the Eye of the Fresnel -- 4.6 Adventures in Lighting: Fixture Types 101, Part II-The Ellipsoidal Reflector Spotlight -- Field Notes: Night For Day -- 4.7 Adventures in Lighting: Fixture Types 101, Part III-The PAR -- 4.8 Mixology: Additive and Subtractive Color Mixing -- 4.9 Color Temperature -- 4.10 The Magic of Mireds: To Gel or Not to Gel, That is the Question! -- 4.11 White Balance On-the-Fly -- 4.12 Inverse Square Dancing: A Practical Look at the Inverse Square Law -- 4.13 Adventures in Lighting, Part I-Beauty Lighting -- 4.14 Adventures in Lighting, Part II-The Gleaming Specular -- 4.15 Adventures in Lighting, Part III-Unwanted Reflections -- 4.16 Smoke and Fog -- 4.17 Using a Light Meter to Maintain Atmosphere -- 4.18 More Adventures in Lighting: When Daylight Fades -- 4.19 The Composition of Sunlight -- 4.20 Art of Darkness: No Light Lighting -- 4.21 Night Lighting -- 4.22 Natural Day for Night -- 4.23 Ghostly Lighting: Cinematographer Bill Roe, ASC, Discusses Lighting for The X-Files
  • 4.24 Adventures in Lighting, Part IV-Eternal Flame -- 4.25 It Ain't Easy Being Green: Estimating Green Screen Lighting -- 4.26 Adventures in Lighting, Part V-12 Pages, Four Scenes, 12 Hours: An Exercise in Lighting Simplicity and Versatility -- 4.27 A Motel-Room Meltdown: Shooting the Dollar Baby Paranoid -- 4.28 Dancing in the Dark: Shooting Under UV Light -- 4.29 Illuminating Workout: Lighting an Exercise Video Series -- 4.30 Keeping the Lights On: Basic Electrical Management -- 4.31 The Perfect Travel Companion: Lighting Kits -- 5 MISC -- 5.1 A Twisty Tale: A Few Key Knots -- 5.2 Bring the Noise: Tips for Better Audio Production Recording -- 5.3 Sound Advice: Interview with Emmy Award-Winning Post Rerecording Mixer Eric Lalicata -- 5.4 Shoot the Moon: Tips for Celestial Cinematography -- 5.5 Carnet Chronicles: International Travel with Equipment -- 5.6 Understanding Post Color Correction -- 5.7 Colorful Communication: Working with a Colorist -- 5.8 Raising the Roof: How to Build a Flat -- Field Notes: Carpentry Skills Save the Day -- 5.9 To Film School or Not to Film School? -- 5.10 Learning From Mistakes: Block, Light, Rehearse, Shoot -- 5.11 I'm Captain Kirk! Musings on the Role of the Director -- 5.12 Great Relationships: Jack Green, ASC, Clint Eastwood, Bruce Surtees, and Joe Dieves -- Glossary -- Suggested Reading -- Index
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9781315748122&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b3750283'}
Extent
1 online resource (467 pages)
Form of item
online
Isbn
9781315748122
Media category
computer
Media MARC source
rdamedia
Media type code
c
Sound
unknown sound
Specific material designation
remote

Library Locations

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      110 8th St, Troy, NY, 12180, US
      42.729766 -73.682577
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