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The Resource Banding Together : How Communities Create Genres in Popular Music

Banding Together : How Communities Create Genres in Popular Music

Label
Banding Together : How Communities Create Genres in Popular Music
Title
Banding Together
Title remainder
How Communities Create Genres in Popular Music
Creator
Subject
Language
eng
Summary
Why do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music. What are the common economic, organizational, ideological
Cataloging source
EBLCP
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Banding Together : How Communities Create Genres in Popular Music
Label
Banding Together : How Communities Create Genres in Popular Music
Link
http://www.jstor.org/stable/10.2307/j.ctt7rrzb
Publication
Related Contributor
Related Location
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Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover; Banding Together; Title; Copyright; Dedication; Contents; Acknowledgments; Chapter 1: Music Genres; What Is a Theory of Sociocultural Classification?; What Are Genre Forms and How Are They Identified?; Organizations and Money; Genre Ideals and Style; What Genres Are Not; Outline of the Book; Chapter 2: Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz; Avant-garde Genres; Scene-based Genres; Industry-based Genres; Traditionalist Genres; After the Tradition; Conclusion; Chapter 3: Music Trajectories; Two Genre Trajectories; Scene-based Origins; IST Trajectories
  • On Genre TrajectoriesInhibiting Factors on Musical Trajectories; Absorption into Other Musics, Other Streams; Niche Music; The Racist Organization of Musical Production; Conclusion; Chapter 4: The Government-purposed Genre; Attributes of Government-purposed Genres; China; Chile; Nigeria; Serbia; Conclusion; Chapter 5: On Classification Systems; Classification in Music; Toward a Model of Classification Systems; On Science, Markets, and Memory; The Future of Music; In Closing; Notes; References; Index
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9781400840458&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4327429'}
Extent
1 online resource (xii, 242 pages)
Form of item
online
Isbn
9781400840458
Media category
computer
Media MARC source
rdamedia
Media type code
c
Specific material designation
remote

Library Locations

    • Folsom LibraryBorrow it
      110 8th St, Troy, NY, 12180, US
      42.729766 -73.682577
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