Coverart for item
The Resource "Artwriting, Nation, and Cosmopolitanism in Britain " : The 'Englishness' of English Art Theory since the Eighteenth Century

"Artwriting, Nation, and Cosmopolitanism in Britain " : The 'Englishness' of English Art Theory since the Eighteenth Century

Label
"Artwriting, Nation, and Cosmopolitanism in Britain " : The 'Englishness' of English Art Theory since the Eighteenth Century
Title
"Artwriting, Nation, and Cosmopolitanism in Britain "
Title remainder
The 'Englishness' of English Art Theory since the Eighteenth Century
Creator
Contributor
Language
eng
Member of
Cataloging source
MiAaPQ
Literary form
non fiction
Nature of contents
dictionaries
Series statement
British Art: Global Contexts
"Artwriting, Nation, and Cosmopolitanism in Britain " : The 'Englishness' of English Art Theory since the Eighteenth Century
Label
"Artwriting, Nation, and Cosmopolitanism in Britain " : The 'Englishness' of English Art Theory since the Eighteenth Century
Link
http://libproxy.rpi.edu/login?url=https://ebookcentral.proquest.com/lib/rpi/detail.action?docID=4906718
Publication
Copyright
Related Contributor
Related Location
Related Agents
Related Items
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Cover -- Title -- Copyright -- Contents -- List of Illustrations -- Acknowledgements -- Dedication -- Introduction: Artwriting and National Identity (or, No Theory Please, we're English) -- 1 Englishness, Foreignness and Empire in British Artwriting, c. 1700-1900 -- Jonathan Richardson, Senior -- William Hogarth, the Cosmopolitan Theorist -- National Frames -- The Analysis of Beauty: Seeing 'in English' -- Joshua Reynolds' National Visions -- The Picturesque as Travelling Theory -- The Landscape of Empire: John Constable, Oscar Wilde and Homer Watson -- The Empire of Landscape and Design: John Ruskin -- William Hazlitt and William Morris -- 2 Indigenes, Imports and Exports: Englishness in Artwriting from Modernism to the Twenty-first Century -- Roger Fry and Clive Bell: 'Applied Aesthetics' -- Wyndham Lewis's Continental Englishness -- Herbert Read: Englishness as Export -- The 1930s -- Art Now and Unit 1 -- The ICA and Festival of Britain -- English Endgame: 'the Politics of the Unpolitical' -- Nikolaus Pevsner: The Theory of The Englishness of English Art -- Theory Reception: Englishness since the 1960s -- Art & Language -- Gilbert & George -- Peter Fuller: Ruskinian Resistance -- Yinka Shonibare -- Rasheed Araeen -- The Cosmopolitan Nation? -- Bibliography -- Index
http://library.link/vocab/cover_art
https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?Return=1&Type=S&Value=9781351575232&userID=ebsco-test&password=ebsco-test
Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4214380'}
Extent
1 online resource (201 pages)
Form of item
online
Isbn
9781351575232
Media category
computer
Media MARC source
rdamedia
Media type code
c
Sound
unknown sound
Specific material designation
remote

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