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The Resource A theory of semiotics, Umberto Eco

A theory of semiotics, Umberto Eco

Label
A theory of semiotics
Title
A theory of semiotics
Statement of responsibility
Umberto Eco
Creator
Subject
Language
eng
Summary
"" ... The greatest contribution to [semiotics] since the pioneering work of C.S. Peirce and Charles Morris.""--Journal of Aesthetics and Art Criticism"" ... draws on philosophy, linguistics, sociology, anthropology and aesthetics and refers to a wide range of scholarship ... raises many fascinating questions."" -Language in Society"" ... a major contribution to the field of semiotic studies."" -Robert Scholes, Journal of Aesthetics and Art Criticism"" ... the most significant text on the subject published in the English language that I know of."" -Arthur Asa Berger, Journal of CommunicationEco's
Member of
Cataloging source
OCLCE
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
Advances in semiotics
A theory of semiotics, Umberto Eco
Label
A theory of semiotics, Umberto Eco
Link
http://www.jstor.org/stable/10.2307/j.ctt16xwcfd
Publication
Related Contributor
Related Location
Related Agents
Related Authorities
Related Subjects
Related Items
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references (pages 319-346)
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover; Title; Copyright; Contents; Foreword; Note on graphic conventions; 0 Introduction -- Toward a Logic of Culture; 0.1 Design for a semiotic theory; 0.2 'Semiotics': field or discipline?; 0.3 Communication and/or signification; 0.4 Political boundaries: the field; 0.5 Natural boundaries: two definitions of semiotics; 0.6 Natural boundaries: inference and signification; 0.7 Natural boundaries: the lower threshold; 0.8 Natural boundaries: the upper threshold; 0.9 Epistemological boundaries; 1 Signification and Communication; 1.1 An elementary communicational model; 1.2 Systems and codes
  • 1.3 The s-code as structure1.4 Information, communication, signification ; 2 Theory of Codes; 2.1 The sign-function; 2.2 Expression and content; 2.3 Denotation and connotation; 2.4 Message and text; 2.5 Content and referent; 2.6 Meaning as cultural unit; 2.7 The interpretant; 2.8 The semantic system; 2.9 The semantic markers and the sememe; 2.10 The KF model; 2.11 A revised semantic model; 2.12 The model ""Q""; 2.13 The format of the semantic space; 2.14 Overcoding and undercoding; 2.15 The interplay of codes and the message as an open form; 3 Theory of Sign Production ; 3.1 A general survey
  • 3.2 Semiotic and factual statements3.3 Mentioning; 3.4 The problem of a typology of signs; 3.5 Critique of iconism; 3.6 A typology of modes of production; 3.7 The aesthetic text as invention; 3.8 The rhetorical labor; 3.9 Ideological code switching; 4 The Subject of Semiotics; References ; Index of authors; Index of subjects
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Dimensions
unknown
http://library.link/vocab/discovery_link
{'f': 'http://opac.lib.rpi.edu/record=b4335900'}
Extent
1 online resource (ix, 354 pages)
Form of item
online
Isbn
9780253013316
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations.
Publisher number
MWT11531588
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Library Locations

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